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How Theatre Fitness Supports UIL, TEKS, and T-TESS Expectations in the Theatre Classroom

When administrators evaluate instructional programs—especially in fine arts—they’re looking for more than energy, enthusiasm, or performance outcomes. They’re looking for clear objectives, observable instruction, student engagement, differentiation, and alignment with state standards.


That’s exactly where Theatre Fitness workshops through inMOTION Studios are designed to live.

These workshops don’t replace a director’s curriculum or creative vision. Instead, they equip students and teachers with shared tools that strengthen instruction, rehearsal efficiency, and performance quality—while aligning with the instructional frameworks schools are already accountable to: UIL expectations, Texas Theatre TEKS, and T-TESS domains.


Below is a snapshot of how Theatre Fitness training supports those goals.


Supporting UIL Performance Expectations

UIL adjudication consistently evaluates clarity of storytelling, ensemble effectiveness, physical and vocal choices, and intentional staging. Theatre Fitness workshops directly address these areas by giving students repeatable, teachable systems rather than isolated choreography or notes.


Movement & Choreography Training supports UIL by developing:

  • Intentional use of space, levels, and stage pictures

  • Clear ensemble storytelling, especially for non-speaking roles

  • Purposeful blocking and transitions instead of visual clutter

  • Consistency across the ensemble so no performer “sticks out”

  • Physical storytelling that reinforces theme, tone, and genre


Components of Choreography workshops help students understand:

  • Levels of variation and contrast

  • Shaping and spatial design

  • Locomotion and directional intention

  • Motifs and repetition for clarity

  • How movement choices support narrative—not distract from it


Rather than overcomplicating choreography, students learn how to use movement strategically, resulting in cleaner staging and stronger visual storytelling—two areas frequently addressed in UIL feedback.


Aligning with Texas Theatre TEKS

Texas Theatre TEKS emphasize inquiry, creative expression, performance, and critical response. Theatre Fitness workshops are structured to support these strands through guided instruction, student-centered exploration, and application to live productions.


TEKS alignment includes:

  • Developing effective use of body and voice for performance

  • Applying movement and vocal choices to character and story

  • Strengthening ensemble collaboration and cooperation

  • Engaging students in creative problem-solving

  • Reinforcing discipline-specific vocabulary (movement, blocking, dynamics, energy)


Students are not simply copying movement—they are learning how and why choices are made, then applying those tools directly to their current production.


Strengthening T-TESS Instructional Domains

Administrators observing Theatre Fitness workshops will see instruction that aligns with multiple T-TESS domains—not through worksheets or lectures, but through observable, active learning.


Domain 2: Instruction

  • Clear objectives tied to performance outcomes

  • Demonstration and modeling of skills

  • Layered learning that meets students at different ability levels

  • Ongoing feedback during rehearsal-based instruction

  • Students applying skills immediately and visibly


Domain 3: Learning Environment

  • High student engagement and accountability

  • Collaborative ensemble-based learning

  • Clear routines and expectations

  • Productive rehearsal culture focused on growth

  • Respectful peer interaction and critique


Domain 4: Professional Practices (for PD workshops)

  • Transferable tools teachers can reuse in daily instruction

  • Shared language for movement, voice, and staging

  • Increased instructional clarity and rehearsal efficiency

  • Support for differentiated instruction within the ensemble


Professional Development That Equips Teachers

For schools investing in professional development, Theatre Fitness PD workshops focus on instructional clarity, not performance polish.


Teachers leave with tools to:

  • Communicate movement and vocal expectations more clearly

  • Teach choreography and staging with intention—even without a dance background

  • Use layered instruction to support diverse learners

  • Translate artistic vision into teachable steps

  • Strengthen UIL preparation through purposeful ensemble work


Rather than adding more content to manage, PD sessions simplify the rehearsal process and help teachers teach with confidence.


Why This Matters to Schools

Strong theatre programs don’t happen by accident. They’re built on:

  • Clear instruction

  • Shared tools

  • Efficient rehearsal practices

  • Students who understand why they’re making choices


Theatre Fitness workshops support those outcomes while respecting existing curriculum, rehearsal schedules, and administrative expectations.

The result: More unified ensembles. Stronger storytelling. Clearer instruction. And performances that reflect both artistic excellence and instructional integrity.


Want more information on our workshops?

I’ve put together a Director & Administrator Packet designed to speak the same language your campus leadership uses—so theatre directors aren’t left trying to translate the value of their work on their own. The goal is simple: help bridge the gap between administration and the theatre department, advocate for meaningful funding, and equip directors with clear documentation that supports stronger instruction, higher performance standards, and real student growth.

It’s built to make collaboration easier, conversations clearer, and support more accessible—so your students and your program can thrive.



 
 
 

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CONTACT

105 Vivian Dr.
Waxahachie, TX 75165
719-649-5922

emily@inmotion-studios.com

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Hello! I’m a fitness professional, singer, dancer, actress, and mother who believes movement builds confidence, resilience, and connection. I create training experiences that help performers grow stronger—onstage and off.

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